Nomad Letterpress

The Hill

Words by Max Porter & wood-engravings by Hilary Paynter

The Hill is a celebration of collaborative work between author & engraver, between word & image, between the hand and the machine. We built our house around that view, the hill is the be all and end all of living right here.

Echoing from the time that a dozen monks quietly dug, a Victorian farmer stopped for a piss, a buried bomb hissed, voices past & present mingle in and around the powerful wood-engravings of Hilary Paynter. Sometimes beautiful, sometimes disturbing, the images and the text combine to hint at the changing nature of a place . . . so often caused by the people who’ve frequented it.

’The history of enclosure, agriculture, ownership, urban planning, silviculture, all at the tip of Mum's finger and she talks us around the hill, pointing. One corner, two three. The whole of human history witnessed, in a story for me, less than a shaving off her fingernail, if her body is earth's longevity.

Green and black bags hanging from hawthorn, briar-thick undergrowth with desire lines of human and non-human routes. Decay and regrowth and a bloom of white fungus on a body-shaped log.’

This book is a work of art, and a unique opportunity to own a series of engravings and an original text that has been pasted together at every stage by two outstanding creative talents at the peak of their powers. The illustrations throughout are printed directly from Hilary’s lemonwood blocks onto Zerkall mould-made paper. The text has been set using Monotype Walbaum and is printed by letterpress on a Heidelberg Cylinder from lead type cast at Nomad Letterpress in an edition of 874 copies.